The Eyes Have It: Hayv Kahraman Pairs Seduction and Surveillance at Seattle’s Frye Museum
Look Me in the Eyes: An Exhibition by Hayv Kahraman
Eyes Everywhere
Prepare yourself to be surrounded by the unnerving and alluring gaze of eyes in Hayv Kahraman's exhibition, "Look Me in the Eyes." From human eyes protruding on plant stalks to female figures ravenously consuming orbs, eyes are everywhere, reflecting the scrutiny and social invisibility experienced by refugees.
Seductive and Unsettling
Amidst the unsettling gaze, Kahraman's works offer seductive details that draw you in. Softly blended backdrops, vibrant blues, and sensuous threads create a captivating setting for the uncanny eyes.
"There's something irresistible about the other rich details in each artwork as settings for those eyes," says curator Anne Morales.
Ambiguous Desires
Eroticism and ambiguity permeate Kahraman's larger paintings, as blind-eyed women gather to consume oversized eyes. Is this a primal desire, a forbidden pleasure, or a desperate grasp for nourishment?
Interwoven Species
Kahraman explores the uneasy relationship between humans and other living things. Plants grow from blank eyes, and female figures swap plant stalks for body parts, blurring the lines between species. "Plant Life" further highlights this interplay with its broken bouquets, held in place by medical tape.
Unveiling the Hidden
In "Look Me in the Eyes 1-9," eyes float above mask-like faces with distinctive brows. These portraits hint at specific identities while challenging simplistic gender roles. Surreal and poignant, they uncover deeper layers beneath the surface.
Confinement and Surveillance
The room-sized installation "Sizar" creates an unnerving sense of confinement. Smoky vinyl walls adorned with countless eyes give the impression of being constantly watched. A scolding soundtrack adds to the oppressive atmosphere.
Exhibition Details
Experience "Look Me in the Eyes" at Seattle's Frye Art Museum until February 2, 2025. This mesmerizing exhibition invites you to question the power of the gaze and embrace the ambiguity that lies within.